Cox London
This film distils the ethos of Cox London — The Nature Within — into a series of visually striking still-life compositions. Through abstract impressions of the products, each tableau reinterprets contemporary design via historical and natural references. A chandelier’s purple glass, for instance, mirrors 18th-century vessels filled with tulips, transforming colour and form into poetic echoes of the past.
Rather than presenting the work as traditional product portraiture, the film offers a more contemplative visual experience, where light, texture, and composition reveal the dialogue between craft, heritage, and the natural world that lies at the foundation of Cox London’s design language. The creative direction of the film received critical acclaim and was shortlisted for the Young British Arrows Production Designer of the Year award.
Max Rollitt
This video brings Max Rollitt’s interiors to life within the remarkable setting of a Hampshire barn, transformed into a series of 18th-century rooms. We carefully curated the space to highlight both his exquisite antiques and contemporary product line, capturing the warmth, texture, and elegance of his designed spaces.
The barn itself becomes a jewel in the landscape, its Jacobean windows and paneled rooms framing each composition. Light, material, and perspective are orchestrated to reveal the layers of craft and history embedded in every object and surface, allowing the character of each room to emerge fully — where history, tradition, design, and atmosphere come together in spaces that feel vividly lived-in.
Celeste- This is who I am
This music video brings Celeste’s This Is Who I Am to life through a cinematic meditation on identity, resilience, and history. Set in an open field, the visuals transform natural space into a symbolic landscape, where Celeste appears bound yet resolute, surrounded by figures evoking memory, struggle, and endurance.
Under my art direction, and in collaboration with renowned cinematographer Peter Bishop, movement director Holly Blakey, and casting director Giorgia Topley, the video unfolds as visual allegory. Light, shadow, and composition convey both vulnerability and strength, reflecting the oppression women have endured and the power of survival and self-definition. Every frame asserts the central message: This is who I am.
Where We Once Played
This film transports viewers into Edward Rollitt’s unsettling, poetic world, realised within the cavernous galleries of The Bomb Factory. The exhibition, Where We Once Played, consists of ten immersive, multisensory rooms — each a fragment from childhood memory, resonating with dust, decay, and nostalgia.
The camera moves slowly through beds of burnt feathers, honey‑dripped desks, and rooms strewn with mud, antique trunks, and torn pages — material traces of past lives and emotional residue cast into space.
Rather than simply documenting the installation, the film becomes a chamber of memory: light, shadow, and composition imbue each scene with the weight of absence and the echo of childhood’s lingering ghosts. The result is an intimate visual experience that evokes the psychology of space, identity, and loss at the core of Rollitt’s work.